I’ve had a soft spot for middle grade novels about witches ever since I was eight. At that age, I read “The Witch Family” by Eleanor Estes and decided the witch life was for me. Now that I’m older, nothing has changed. I love witches with their unusual potions, and tendency to veer towards evil, and pride in ugly appearances. They’re great. So when I saw “Witchworld” on the shelves of my local library, I knew it was my kind of book.
“Witchworld” describes a modern family of witches: a single mum and her two daughters. The story follows the youngest daughter Flo. The world of witches has evolved from the last time I visited, and now has modern devices like a spellstick instead of a magic wand, and a skyrider instead of a broomstick. However, when Flo’s grandma comes to stay with her ancient techology and cooks up a potion in Flo’s mum’s spotless kitchen, well, things are bound to get interesting. Flo’s grandma is convinced Witchworld is in danger from ghouls.
Only one problem: everyone in Witchworld knows ghouls are extinct.
Or are they?
“Witchworld” is hilarious. I loved the intragenerational familial bantering. I loved the parallels with young people and technology in our world. And the main character Flo with her obsession with pixies and concern about doing the right thing is a relatable and fun voice to follow. This is a great read for younger readers.
This book had an epic fantasy feel where the world building is intense and distinctly different. Tea is a girl whose magical powers differ from the norms. Instead of being able to harness the elements to do her bidding, she can raise the dead. She discovers her powers when she raises her older brother from his grave. Despite the centre of this book being rather grisly – my husband took one look at the title and went “are you reading that isn’t it scary?” – this book is really pretty tame compared to what’s on the YA shelves these days. Even though death is present, Tea’s brother gets to come back as a shadow from his early demise.
Then, Tea is forced to move away from her family for her training under an older bone witch, where she learns how to become an Asha. Asha are some sort of witch and geisha hybrid and although how the women entertain the men besides clean music and dancing is never divulged, I began to wonder “Are they prostitutes?” Again, this wasn’t revealed and the book is very clean, but due to the gendered nature of the work I was unsure.
This book moves slowly and the description is dense and detailed. Usually this would be con for me, however I enjoyed living in this strange world for a few days. I inhale books, so it was nice to encounter one that took me more than a night to read. Since there are two narratives at once – an older, stranger, more sinister Tea and a younger, apprentice Tea it was interesting to wonder when the two narratives will converge. I found it hard to keep track of all the various kingdoms and cultures, however something about the book just works.
Perhaps it’s the idea of a heartglass, where people wear their hearts on a necklace with their emotions for all to see. Perhaps it was the world of the ashas and Tea starting her apprenticeship as a servant which reminded me of a newfangled “Spirited Away.” Perhaps it was the creepy nature of Tea’s powers which could bring skeletons to life from the earth. Perhaps it was the suggestion of romance with a prince. I’m a huge sucker for romances with princes.
Anyway, “The Bone Witch” is a highly original fantasy. I look forward to seeing how the series will conclude.
Melissa Marr’s books are twisted, violent, and unpredictable. After “Wicked Lovely,” I wasn’t sure if I was prepared for “Carnival of Souls” and after reading it, I must conclude indeed I wasn’t indeed. A new world of daimons and witches completely swept me off my feet.
The beauty of Marr’s style is she is able to build worlds that have unusual magic and social norms. It’s actually the social norms that govern her fantasy worlds more than the magic. The norms affect what relationships the characters are able to have versus what relationships they desire. The caste system of the daimons impacts friendships, romances, and alliances in unexpected ways.
Many people are forced to work together and usually the relationship isn’t entirely positive. Someone usually is working the system to their own benefit, and the reader is left wondering how the character’s choices will impact the plot. A Hunger-Games-like battle to the death in the daimon world certainly raises the stakes.
Of course, Marr grounds her fantasy world with a link to the human world as well. One of the characters is a human girl who’s been adopted by a witch father and is aware of witch customs. Her true identity has been hidden from her, and she spends most of the book trying to work it out. However, she is also important to the daimon world as well. Her witch father has taught her to fear daimons and she has to decide which world she belongs to.
Although the girl in the human world should’ve been the most relatable, I found her the most frustrating. She assumes a passive role through most of the plot and although this isn’t entirely her fault, her obedience does turn her into a weak character. I look forward to seeing how she grows during the rest of the series.