“City of Bones” by Cassandra Clare

 

 

 

 

 

 

 

 

 

 

 

I’ve listened to Cassandra Clare’s “City of Bones” audio book three times in the past three months as I fall asleep. I’ve also awoken in the middle of the night to a scream of “JAYCE!” with the headphones still dangling from my ears. This doesn’t mean I find the book so boring that it puts me to sleep. Nothing could be farther from the case!

And the reviews on Goodreads seem to agree with me. People just can’t put this book down. I recommended it to someone a while ago, and she still can’t take it out of the public library because the demand is so high – and this book was written in 2007 peeps! That’s some serious staying power.

Although, I’ve read some scathing reviews on Goodreads about this book too. Anything from Clary being a Mary Sue character to “City of Bones” being a blatant Harry Potter rip off to the similes being too frequent. The truth is: I don’t care.

“City of Bones” works. It works so well that I am willing to listen to it time after time again. And that is testament to something that is pretty kick-ass.

So why is “City of Bones” so awesome?

This, my friends, is why:

1) The characters. You walk away from “City of Bones” thinking something along the lines of “why is Simon so annoying?” “Will Jayce and Clary ever end up together?” “Why can’t Alec just accept that he is gay and Jayce is straight?” “Could Jayce be gay? That’d be kinda hot.” “I wish I could be as badass as Isabel.” “Why isn’t Clary as badass as Isabel? Girl, get with the Shadowhunter program!!!”

2) The relationships. You become seriously invested in who ends up with who, and the betrayals, man. The betrayals.

3) The setting. Urban fantasy works on so many levels, because wouldn’t it be nice if this world right now contained magic and demons and warlocks and shadowhunters and possibilities? The reader sees themselves in Clary’s world right away. Urban fantasy takes “what if” to a level grounded in reality.

4) The action. “City of Bones” has a nice amount of fighting where the stakes are high.

5) Jayce. Is. Seriously. Hot. This books also is clearly inspired by anime with the whole demon fighting bad boys type thing. I don’t know what it is about the bad boy character, but jeez can they work the dialogue. I actually laughed more than once when listening to this book the first time. Also, the dialogue itself is excellent as a whole.

So, without trying to spoil this book too much, where does it fall flat?

The whole middle section involving a rat goes on for too long. Also, the big twist at the end that may remind you of Star Wars – you’ll know what I mean when you read it – nearly stopped me from reading the rest of this series. However, the desire to know what happened next trumped the annoyance with the plot and I did read the rest of the books.

In conclusion, I think virtues of “City of Bones” far out way its flaws and that it is worth a read for its dialogue alone.

“The Coldest Girl in Coldtown” by Holly Black

I’m a huge Holly Black fan ever since I read “White Cat.” She writes urban fantasy with a thriller undercurrent that you just can’t put down. And boy is her work dark! Yikes! (But in a good way.)

“The Coldest Girl in Coldtown” is a vampire story, but not the sexy, sparkly kind. It’s a blood and guts and fear vampire story with a strong science fiction background. A virus infects humans and turns them into vampires after they feed on human blood.

Tana, the heroine, has to make a lot of difficult choices and it is those choices that made me keep reading to the end. Tana is not a character that I really liked, but, paradoxically, I liked her that way. She seemed gritty and abrasive and real. Tana’s decisions belonged to her alone, and I wasn’t living vicariously through her since we didn’t have a lot in common. This was good, because in a dark tale like “Coldtown” you really need some distance.

However, Tana had a lot of redeeming qualities too, like protecting people she loved, keeping her promises, and risking her safety to help others. So, she’s not super unlikable.

I also appreciated how this novel seemed placed in an alternate present. Too often I read post-apocalyptic future books where the message is like “the future sucks peeps and we’re all going to die.”

This book had some of that going on, but the cyberworld and reality TV seemed identical to today’s, so I took it to mean “the present sucks in this alternate world peeps and we’re all going to die.”

I guess I found that comforting, because it didn’t seem as much as a commentary on where we’re headed as a parallel universe where vampires exist. Unless vampires actually exist in this world, in which case don’t tell me. I don’t want to know. 🙂