What if the government could wipe your mind and you’d start a new life with a new family as a new person? How would you know who you really are without your memories?
This is what happens to Kyla. She is what the government calls Slated. Once she leaves the hospital, she joins a new family, which sounds hard enough, but also her mood is constantly monitored with a device called Levo. If she gets too sad or angry, an electric shock goes to her brain and kills her on the spot.
The government claims that she was a terrorist and that their treatment of her and the other Slateds is justified to protect society. That they have been lenient by giving Kyla a second chance.
But Kyla has scary dreams that might be her memories. What are they telling her? Who is she really?
This sci fi thriller had me flipping pages as quickly as possible. Terry’s writing is addictive. You have to learn what the deal is with Kyla. Was she really a terrorist or is she an innocent person the government targeted for asking too many questions? What is the real deal with the Slateds? Who can she trust?
Themes of governmental control and individual freedom, as well as a heightened teenage search for identity run through “Slated.” As always, it’s useful to ask how similar Kyla’s world is to our own. How is a person classified as dangerous to society? How much control should the government have over our own lives? Also, the book kind of creeped me out – in a good way.
I’m definitely hooked and going to read the next installments of the series.
I just read Marissa Meyer’s “Winter” and it did not disappoint. Ever since “Cinder” stole my heart with her cyborg awesomeness, the Lunar Chronicles have made a serious impression on me. There’s a strong message of being yourself no matter your background and abilities. Each novel in the series introduces a new character and romance to the cast to overthrow the cruel Lunar Queen. And each is loosely based on a popular fairytale – Cinderella, Red Riding Hood, Rapunzel, and Snow White.
“Winter” is the final episode in the battle against the Lunars and is a hefty volume at 823 pages. Of course, the cast of characters at this point in the series has become quite large, so Meyer needed a fair amount of space to describe each of their contributions.
At first I found Prince Kai’s participation in the plot a bit tiresome – how many times must he attempt to bait the Queen into a marriage that will make her empress over the Commonwealth? And then, it hit me over the head with the brilliance of it. This complaint is usually one I have for female characters. Why is Princess So-and-so only valued for her marriageable eligibility and sex appeal? Why is her only plot device the betrothal and the wedding?
Here, Prince Kai is the sex muffin who is traded around in marriage, a typically female role. His love interest, Cinder is the one who has to save him – a girl who’s part cyborg, part human. Now, I’m back to remembering why I love this series so much. The feminine empowerment is incredible.
Winter, the newest character in the cast, suffers from mental illness. In spite of her struggles, she triumphs. Cress overcomes her shyness. Scarlet tames the beast. I found the parallels between the long list of couples to cause characters to become indistinct at times, however this didn’t freeze my heart to “Winter.” The message of loving someone despite of their flaws is a good one.
Will they all live happily ever after?
Read “Winter” to find out.
I’m a huge Holly Black fan ever since I read “White Cat.” She writes urban fantasy with a thriller undercurrent that you just can’t put down. And boy is her work dark! Yikes! (But in a good way.)
“The Coldest Girl in Coldtown” is a vampire story, but not the sexy, sparkly kind. It’s a blood and guts and fear vampire story with a strong science fiction background. A virus infects humans and turns them into vampires after they feed on human blood.
Tana, the heroine, has to make a lot of difficult choices and it is those choices that made me keep reading to the end. Tana is not a character that I really liked, but, paradoxically, I liked her that way. She seemed gritty and abrasive and real. Tana’s decisions belonged to her alone, and I wasn’t living vicariously through her since we didn’t have a lot in common. This was good, because in a dark tale like “Coldtown” you really need some distance.
However, Tana had a lot of redeeming qualities too, like protecting people she loved, keeping her promises, and risking her safety to help others. So, she’s not super unlikable.
I also appreciated how this novel seemed placed in an alternate present. Too often I read post-apocalyptic future books where the message is like “the future sucks peeps and we’re all going to die.”
This book had some of that going on, but the cyberworld and reality TV seemed identical to today’s, so I took it to mean “the present sucks in this alternate world peeps and we’re all going to die.”
I guess I found that comforting, because it didn’t seem as much as a commentary on where we’re headed as a parallel universe where vampires exist. Unless vampires actually exist in this world, in which case don’t tell me. I don’t want to know. 🙂