I must be the last person on the planet to read “Vampire Academy.” I know it came out a while ago, but holy crap is it good. Rose is such a kick-ass heroine and Lissa is such a gentle soul. Their halfway mind connection, where Rose can see her best friend Lissa’s thoughts but not vice-versa is a nice plot technique.
The world building of vampires with their damphir bodyguards (half-human, half-vampires who have serious martial-art skills) creates a lot of exciting action sequences. But it’s not all blood and guts. There is some serious romance.
Damphir Rose balances her bad attitude with loyalty to for friends. And her attraction to her older teacher Dmitri is H-O-T. Of course, maybe I have a slight bias towards shipping them, since I met my husband in a teacher-student relationship. Just like Dmitri and Rose, my husband-to-be was seven years older than me. But he didn’t teach me martial arts. He taught me calculus, which also led to some potentially lethal lessons, haha.
Anyway. I shipped Dmitri and Rose. Hard.
Also, this series has a unique approach to discussing mental illness. Lissa is a vampire who has an unusual power called spirit that is poorly understood. She basically has healing super-strength, which is great for other people, but not so great for herself. Using her powers, even though she often wants to, causes her to feel depressed. Even though Lissa is strong, she has to learn how to balance self-care with caring for others. Bringing the dialogue on mental illness into the fantasy arena surely will help reduce stigma for readers who suffer from the same conditions.
So yeah. “Vampire Academy” isn’t just about fighting and kissing, it has some additional depth. Although, honestly I like the violence and romance just as much as the deep parts.
I’m a huge Holly Black fan ever since I read “White Cat.” She writes urban fantasy with a thriller undercurrent that you just can’t put down. And boy is her work dark! Yikes! (But in a good way.)
“The Coldest Girl in Coldtown” is a vampire story, but not the sexy, sparkly kind. It’s a blood and guts and fear vampire story with a strong science fiction background. A virus infects humans and turns them into vampires after they feed on human blood.
Tana, the heroine, has to make a lot of difficult choices and it is those choices that made me keep reading to the end. Tana is not a character that I really liked, but, paradoxically, I liked her that way. She seemed gritty and abrasive and real. Tana’s decisions belonged to her alone, and I wasn’t living vicariously through her since we didn’t have a lot in common. This was good, because in a dark tale like “Coldtown” you really need some distance.
However, Tana had a lot of redeeming qualities too, like protecting people she loved, keeping her promises, and risking her safety to help others. So, she’s not super unlikable.
I also appreciated how this novel seemed placed in an alternate present. Too often I read post-apocalyptic future books where the message is like “the future sucks peeps and we’re all going to die.”
This book had some of that going on, but the cyberworld and reality TV seemed identical to today’s, so I took it to mean “the present sucks in this alternate world peeps and we’re all going to die.”
I guess I found that comforting, because it didn’t seem as much as a commentary on where we’re headed as a parallel universe where vampires exist. Unless vampires actually exist in this world, in which case don’t tell me. I don’t want to know. 🙂
This is one of these books that changed my entire approach to writing. (Hi, I’m a writer by the way.) “The Thickety” is just brimming with amazing technique. So, here’s what JA White can do:
1) How he introduces his characters. The sentences containing their description are instantly memorable and contain at least one trait that the reader can pick up on and is carried throughout the book (Grace’s ribbon). However, this isn’t what makes it brilliant. The scene introducing the character demonstrates their qualities immediately. You don’t have to guess that Grace is a massive villain because she shows it to you. She prevents the main character from getting medication for her brother in the first scene. What a jerk.
2) The mood and atmosphere is seriously creepy and is maintained throughout the book. The living forest, the paranoid town, the loneliness of the main character, the nethergrim, the addictiveness of spells. I couldn’t sleep after reading this thing. Which may make some people go: this is middle grade? Yes. This pushes the boundaries of horror in middle grade, but seriously, I think kids can handle it. Do you see what’s on TV these days? And lots of children’s classics are scary. Joan Aiken. I loved Joan Aiken when I was smaller and somehow I don’t think it affected me as much then as it does now.
3) The beginning and the ending have serious symmetry. This is honestly what takes this book to masterpiece level. Too often the ending of a book isn’t well-thought out and kills the entire work. Not here. The ending shocked me, yet made so much sense. The entire book had been pushing for this ending so hard that no other ending would’ve worked. Once you read it, you’re like “Oh my god, what? Oh. Of course.”
4) The writing style is very clear. Enough variation in sentence length keeps things interesting. JA White taught me that a two word sentence is okay after some longer sentences and adds colour to a manuscript.
Anyway, even if you’re not a writer this book is a seriously good read. Read it!
But do yourself a favour and keep the lights on.